During a stark winter weekend in upstate NY, siblings reconnect a year after their mother's death.

A story of four women who take belly dancing lessons to escape from their lives.

Single mom Dottie Ingels sells cosmetics in a department store, but she dreams of being a comedian. When she inherits some money, she takes the chance and moves with her two children Erica and Opel to New York to perform in small bars. Soon her agent Arnold Moss makes her famous, but while she travels all over USA, her children stay home lonely.

Single mom Dottie Ingels sells cosmetics in a department store, but she dreams of being a comedian. When she inherits some money, she takes the chance and moves with her two children Erica and Opel to New York to perform in small bars. Soon her agent Arnold Moss makes her famous, but while she travels all over USA, her children stay home lonely.

When schoolteacher Kieran Johnson discovers that his father was not a French sailor (as he had been led to believe) but rather an Irish farmer, he looks to his mother for answers. When she refuses to provide any, Kieran travels to Ireland.

Sang-Woo is a HIV positive 38-year-old man who lives in a small shed with his mother. His mother at the age of 60 began working as a prostitute to support herself and her son out of their small shed. Meanwhile, Sang-Woo works as her pimp - collecting payment and arranging appointments with his cellphone. Their clients include a paraplegic man and soldiers on holiday. Living through their difficult situation, Sang-Woo still carries a strong bond with his mother. Sang-Woo also harbors intense anger within. His father abandoned them and then remarried into a seemingly normal family. But actually, his father married a woman who is a religious fanatic and their son always locks himself away in his room. Sang- Woo often meets their daughter (his step-sister) for drinks outside of a Buddhist temple. Can Sang-Woo ever find a way out for himself and his mother?

Experimental film about the legal action taken by a woman whose house is threatened by a new city development project. Her ideas of home, community and utopia are examined alongside those of the developer. The film explores the use of language and rhetoric, as well as competing visions of progress and development.

Writer/Director Gina M. Garcia tells her inspiring true story in her feature film debut Untold: This is My Story of the hate crime that triggered disturbing flashbacks to her childhood traumas causing her to seek treatment for P.T.S.D. within the V.A. system. Gina's journey for the truth implodes her family and nearly takes her life.

Some guys have no luck; he’s got no pulse. That’s life for poor unfortunate, undead Ayumu. First, he was murdered by a serial killer. Total bummer. Then he was resurrected as a zombie by a cute little Necromancer. That seemed pretty cool until she moved into his house, refused to speak, and forced his rotting carcass to do all the cooking. After that, a magical girl in a pretty pink dress used her matching chainsaw to chop his corpse in half. Luckily, the Necromancer’s powers of resurrection trumped those of the chainsaw chick, so instead of dying (again), Ayumu became the world’s first magical girl zombie. There’s also a voluptuous vampire ninja who thinks zombie boy’s a pervert – and a hideous crayfish demon who wants to devour him. Confused? All you gotta know is this: zombies, frilly dresses, demons, and moe chainsaws. Pink. It’s the new dead.